May 12, 2022

The French dispatch – La recensione

review in a few words

  • after after The island of dogsAnderson continues his research in favor of pure composition and movement.
  • The choice of using actors as “machines” or design elements is very interesting.
  • The four stories that glue the film together are just amazing.

While it’s easy to associate Wes Anderson with a specific handlebar mustache, It would be unfair not to take credit for the Houston filmmaker for having built over the years such a wonderful and well-known poetic.. Poetic by some and distracted still considered equal to itself, as is Burton’s Poetics, but capable in fact of making decisive developments where I am Tenenbaum NOT. The island of dogs, to take just two very distant examples in chronological order, they share only the most basic and vital components, but remain pretty much the opposite in terms of tone and balance.

Anderson’s early films owe, just to say it, so much to Joe JD Salinger, that at the center of the story, they always put New York families at the forefront, quarrelsome brothers, and at least complicated father figures. .

Over the years, these dynamics took the thread of “rightly deceptive” choral stories and then fizzled out in a process of subtraction that specifically led to The island of dogs, where the relative simplicity of the diagram is counterbalanced by a very dense visual structure which pushes the language of the beginnings to the extreme. Each scene in this film is packed with details, games, and engineering elements thrown in all directions, introducing the idea of ​​a giant diorama.

The good old press of yesterday

The island of dogsIn short, it’s a film to watch and listen to even before “reading” it, and the same goes for it. French Dispatch of LibertyEvening sun, Kansas – From here only French expedition. Greetings for New Yorker By Harold Ross and William Schön (both journalists “summed up” in Bill Murray’s interpretation) The newspaper that bears his name, based in the French town of Aene-sur-Place, is in every way a different vanity.

The roofs and streets of Ennui-sur-Blasé were taken from Angoulême.

Depends on an anthological structure in the style DecameronThe film begins with the death of director Arthur Howitzer Jr. (actually Murray) and presents the viewer with a selection of stories in essay form.

The short introduction devoted to the microcosm of Boredom-on-Blasé – which offers the viewer a spatial perspective – is followed by ‘The Concrete Masterpiece’, in which art historian JKL Berensen (Tilda Swinton) explores the unique story of the painter Moses Rosenthaler Revisions to Manifesto, the chronicle of the demonstrations of 1968 and, finally, “The Police Commissioner’s Private Dining Room”, the story of a kitchen that smells like the underworld.

Of course, Benicio Del Toro has a cage face.

Tra i Quattro, Episode 2 is also probably the most successful in terms of relatively classic mechanics., while others seemed to me mostly an aberration, to think about it a little strange. Oddly enough, a film dedicated to journalism gives so little to write about to let it go completely on stage, unless you think of the tribute in terms of graphic experience, rather than “word”.

Editorial Board of the French Depeche.

As I said, French expedition It is above all a film that must be watched – attentively and perhaps several times – to appreciate every detail that it offers by alternating languages.views and forms. There is less dynamic than there is The island of dogs, It’s correct; A little for the living formula, but above all for trying to reject the aesthetics and design of the magazine in cinematic terms, even before the content.

Super puppet

Anderson sets off a whirlwind of action, chain shots and self-portraits around a group of stars who are called upon to make what remains perhaps the film’s most intriguing idea.

On the one hand, there are protagonists or storytellers, oriented above all on the physical plane: they support the movements of the stage, follow paths, and more than words expressed by gestures, looks and sounds, the edge of the future.

Wes Anderson Cinema with photo.

On the other side is the inscription, dozens of inscriptions. Faces familiar to the public appear even during the shooting, movement and pose. In this second round, the actors are transformed into points in space, into decorative elements, or are “degraded” into objects and gears as in certain works by Antonin Artaud or Antonio Reza.

Bill Murray would have liked so much more.

in this sense, French expedition It is the result of a work of subtraction or, better, of reconfiguration of the weights in favor of the vision and the hearing. The problem, if at all, is that there was no courage to hasten the grave consequences, perhaps abandoning the classic narrative, also because the four stories are nothing exceptional and do not open up. correctly Murray’s character: the most elusive, but the most interesting.

La Dépêche française will be released in theaters on November 11.

The French Dispatch is such a strange beast. On the other hand, there is the incredible scene accompanied by a casting management which is able to reshape the role of the actor by using it above all from a visual and mechanical point of view (which is very interesting, if you ask me). On the other hand, the four plates used to affix all this goodness go from cute to “poo”, but above all they cannot satisfy the spectator having tickled his taste buds. That said, it would be unfair not to recognize Anderson’s courage in questioning his measures and his ability to create things we haven’t seen anywhere else.

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